The Moessner family in front of the manufactory
Alexandre, Claudia, Isabelle, Polina, Patrick and Hans-Georg Moessner

About us

A family and an exceptional team

What started as a small workshop in 1955 is still being kept alive and preserved three generations later. The Moessner family and their exceptional team are dedicated to genuine craftsmanship, preserving ancient artisanal techniques and tools in Eisingen.

Historic view of Eisingen

Our history

Memories of the beginnings

Emil Mössner's master craftsman's certificate
Master craftsman’s diploma of Emil Mössner

1949

It all begins with the master craftsman's certificate.

Emil Moessner was a gold- and silversmith. He worked for manufacturers in the renowned jewellery industry in the neighboring town of Pforzheim, also known as the "Gold City." On August 23, 1949, he received his master craftsman's certificate, laying the foundation for his own journey.

The first goldsmithing workshop in Eisingen
Goldsmiths in the first workshop, 1959

13 July 1955

The first goldsmiths' workshop.

On July 13, 1955, Emil Moessner founded “Emil Mössner Goldwaren” in his hometown of Eisingen - A goldsmithing workshop with a small team of chain makers and fine polishers. For this purpose, they moved into a modest two-room apartment in the heart of Eisingen. There, they crafted gold chains by hand and sold them to wholesalers in Pforzheim, the major center of the jewellery industry.

The team in front of the new company building in Höhenstraße
The team in front of the new manufactory, 1963

1963

The manufacture in Höhenstraße 6

A new home for enduring values. The chains produced by Emil Mössner and his team were popular at Pforzheim’s jewellery wholesalers. The success of his goldsmith workshop prompted Emil to expand and build a genuine jewellery manufactory. He chose a large area of land at the top of the hill, overlooking all of Eisingen. Höhenstraße 6 remains the location of IsabelleFa until today.

From the manufactory's archives.

People, the workshop and original drawings tell the story of a time, when craftsmanship was the foundation of the jewellery industry.

The historic preparation workshop at the manufactory

The preparation workshop.

Eisingen, around 1965

Polishers in the historic workshop

Every gleam is created by hand.

Polishers in the first workshop

Jewellery drawing by Emil Mössner

From line to form.

Original drawing by Emil Mössner

Historic jewellery design by Emil Mössner

Designed for eternity.

Atelier drawing, 1955–1980

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Emil Mössner

Emil Mössner

10 January 1922 to 2 February 2002

The 2nd Generation Beginning of an era

1982

Two goldsmiths. One shared vision.

Isabelle Fagnoul and Hans-Georg Mössner (son of Emil Mössner) met in 1982 at the Goldsmiths' School in Pforzheim. In the mid-1980s, Hans-Georg took over the management of the “Emil Mössner Goldwarenfabrik.” Isabelle joined the company in 1987.

Hands, not machines

In the 1970s and 1980s, machine production displaced the artisanal crafting of jewellery. There was a particular push to produce gold chains faster, cheaper and in massive quantities. In Eisingen, however, the traditional craft of gold chain making was preserved for good reason - and with great success!

Traditional goldsmithing in the manufactory

Alloying

The distinctive goldcolours

A goldsmith carrying out precise handwork

Winding

The definition of handmade

Working on a piece of jewellery by hand

Patience.

Time as a promise of quality

A tool in the IsabelleFa manufactory

Smithing

Know-How passed on

01 / 04

The founding of IsabelleFa.

To give traditional craftsmanship a global stage, Isabelle and Hans-Georg Mössner founded the “IsabelleFa” brand on December 11, 1987. The two goldsmiths recognized the potential and strengths of the age-old knowledge and tools available at the Eisingen workshop. They committed themselves to preserving and continuing the tradition of craftsmanship rather than switching to machine made production.

Volume becomes a hallmark.

Isabelle and Hans-Georg realized that this traditional craft was perfectly suited, in particular, for creating voluminous pieces of jewellery. Thanks to the manual workmanship, flawless surfaces are achieved even on a large scale. A quality that machine made production can’t achieve. Large surfaces of gold and platinum - featuring a combination of high-polish and matte finishes - became the brand's distinctive design. New collars and bangles, as well as timeless chain designs, combined minimalist aesthetics with flawless craftsmanship.

A voluminous piece of IsabelleFa jewellery

Clean lines, puristic and timeless - Brand Identity.

Goldsmithing as a style

The Flacon and its meaning

Already as a young girl, Isabelle Fagnoul was enthusiastic about perfume flacons. At the age of 14, she helped out in a perfumery in her Belgian hometown of Malmedy, where she received her first flacon as a gift. During her goldsmith’s apprenticeship, she discovered that many of history’s famous goldsmiths had also crafted containers for noble fragrances. Forging, chasing, guilloching, inlaid metalwork and enameling numbered among the remarkable artisanal techniques that were used in the creation of these elegant flacons. With this in mind, she began collecting unusual handcrafted flacons from various epochs and made from diverse materials. Her collection presently comprises approximately 50 antique flacons. Despite years of searching, Isabelle Mössner was never able to find flacons made of platinum. Inspired by the great goldsmiths of the past, she transformed her idea into reality and created her own flacon for the IsabelleFa brand. The result, which was first marketed in the early 1990s, was very likely the world’s first platinum perfume flacon. One of its special features is a rubellite cabochon in the screw cap.

Flacon pendants with blue cabochons

Flacon pendants with blue cabochons

Flacon jewellery and a pendant watch

Flacon jewellery and a pendant watch

Golden flacon with a blue stone

Golden flacon with a blue stone

Fragrance vessels in architectural forms

Fragrance vessels in architectural forms

Pendant watch on a gold chain

Pendant watch on a gold chain

Flacon pendants on different chains

Flacon pendants on different chains

Flacon with its caps removed

Flacon with its caps removed

Design drawings for flacon pendants

Design drawings for flacon pendants

01 / 08
Flacon pendants with blue cabochons
Flacon pendants with blue cabochons
Flacon jewellery and a pendant watch
Flacon jewellery and a pendant watch
Golden flacon with a blue stone
Golden flacon with a blue stone
Fragrance vessels in architectural forms
Fragrance vessels in architectural forms
Pendant watch on a gold chain
Pendant watch on a gold chain
Flacon pendants on different chains
Flacon pendants on different chains
Flacon with its caps removed
Flacon with its caps removed
Design drawings for flacon pendants
Design drawings for flacon pendants
2015

Two motifs. One symbol.

In 2015, the IsabelleFa logo was redesigned, drawing inspiration from the brand’s and the manufactory’s founding, origins, and identity. The new logo features the iconic Navette chain, symbolizing the ancient craftsmanship of chain-making goldsmiths as well as the manufactory’s roots. It also incorporates a perfume bottle (Flacon) bls "IF," representing the second generation - Isabelle and Hans-Georg - and their bold move to transform the artisanal business into an international brand. The new logo embodies the brand’s two pillars: traditional goldsmithing craftsmanship paired with a distinctive style.

Current IsabelleFa logo 2015
Historic Mössner logo 1955
Mössner logo 1970
Early IsabelleFa logo 1987

The 3rd Generation The story continues

Patrick and Alexandre Mössner
Patrick and Alexandre Mössner

2020

What began in a small workshop in 1955 lives on in every piece of jewellery today - A family, a team and a manufactory pass on traditions from generation to generation. Alexandre and Patrick Moessner are the 3rd generation now and will continue IsabelleFa together with their wives Claudia and Polina.

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